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Dynamix Productions, Inc.
  • © 2003 - 2021 Dynamix Productions, Inc. Contact Us 0

Studios
and
Technical

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Dynamix Productions is an Apple/MacOS facility
Control Room A

PreSonus StudioLive 64S console
Icon QCon ProG2 controller station
Steinberg CC121 Advanced Integration Controller for Nuendo

Apple Mac Pro computer

Steinberg Nuendo
iZotope RX, Ozone, and many other plugins
Adobe Audition and Creative Suite software

Event 20/20 bas bi-amplified monitors
Avantone MixCube monitors
JBL 4312 monitors
5.1 Surround system

Antelope Isochrone DA master clock
Demeter
VTMP-2b microphone preamp
Urei
LA-4 tube compressor/limiter x 2
Demeter VTCL-2 tube compressor
Lexicon MPX1 reverb
Yamaha Pro R3 reverb
Microphones

Neumann U-87 x 2 (matched pair, 1 serial number apart)
Neumann KM184 x 3

Audio-Technica
4050 (multi-pattern)
Audio-Technica 4047
Audio-Technica 4033

Sennheiser
MKH-416 (shotgun)

Audio-Technica
4053a (super-cardioid)
Audio-Technica 4073a (short shotgun)
Audio-Technica Pro 25

Sanken
COS-11D lavalier (with Sennheiser ew 112-p G3 wireless system)

Tram
TR50 lavalier

Marshall
MXL 2001 x 2

Heil
PR40

Shure
VP-88 (M-S)
Shure SM7 x 2
Shure SM57 x 2
Shure SM58
Shure Green Bullet (for harmonica)

Rode location blimp kit with carbon-fiber boom pole
Atlas Boom Mic Stands
K&M Stage Mic Stands
Remote Recording Kit

Yamaha MG164 16-channel/6-bus mixer
Mackie 1202 12-channel mixer
Mackie 32.8 32-channel, 8-bus mixer
Alesis HD24-XR (24-channel hard disk recorder)
Zoom H6 recorder with M/S mic and additional XLR input module
Edirol R-4 Pro (with SMPTE sync/jam/master)
Multiple microphones selected for each project.
Control Room B

Yamaha n12 Nuendo-integrated mixer
Yamaha 01v digital mixer

Apple iMac

Steinberg Cubase Pro

Alesis Monitor One Mk 2 monitors
JBL 4312 monitors
 
Analog to Digital Conversion and Restoration

We can transfer the following formats:

  • 1/4" reel-to-reel (1 7/8 ips to 15 ips, full, half, 1/4 track, and 2-sided) + DBX and Dolby-A noise reduction decoding
  • 33 1/3 / 45 / 78 RPM records
  • Cassette tapes (standard 1 7/8 ips and high 3 3/4 ips speeds)
  • Micro-cassette
  • DAT
  • MiniDisc (no HI-MD capability)
  • 8-Track cartridge
  • ADAT tapes (up to 24-tracks VHS format), and HD24XR direct to disk transfer

Otari MX-5050 BII reel-to-reel
Tascam 32 reel-to-reel
Marantz PMD-500 cassette
Tascam 122 cassette
Audio-Technica turntable (33/45/78)
Panasonic professional micro-cassette
Mercury stereo 8-track
Sony minidisc
Recorders

Alesis HD24-XR (24-channel hard disk recorder)
Zoom H6 recorder with M/S mic and additional XLR input module
Edirol R-4 Pro (with SMPTE sync/jam/master)
Sony PCM-R500 DAT
Sony RZ-90 MD
Tascam DA-30 MKII DAT, T-3000 cassette dubber
Tascam 122 Cassette deck
Marantz PMD 500 cassette
Digital Connections

Telos X-Stream ISDN (all major codecs + POTS)
Telos One, digital phone hybrid (Telco)
TieLine Bridge-It IP audio codec
Zoom/Skype connectability
Location Recording Kit

Sennheiser MKH-416 (shotgun)
Audio Technica matched AT-4053a (super-cardioid), AT-4073a (short shotgun), and AT-4071a (long shotgun)
RODE location blimp kit with carbon-fiber boom pole
Sanken COS-11D lavalier (with Sennheiser ew 112-p G3 wireless system)
Tram TR50 lavalier
Zoom H6 recorder
Edirol R-4 Pro (w/SMPTE)
Shure FP33 field mixer (with camera connect cable)
 

Technical Info

ISDN Information

Telos Zephyr Xstream has all the latest codecs. For voice-overs, we prefer: Layer II, Mono-128, 48KHz.

ISDN line#1: 859-425-6956
ISDN line#2: 859-425-6957

*Note: these are not voice numbers. Please contact us at 859-335-1011.
Sending Video To Us

We edit sound-for-video within our computer program, we do not edit video. Therefore, we prefer a Quicktime or AVI file already formatted to our standards. We can convert your video from most recent formats to what we need, however there will be additional charges. We use Nuendo Media Production software. See this link for detailed video specs.

In order of preference:

1. Quicktime movie. HD or SD, full size, native frame rate, ProRes (native format of Apple Final Cut Pro), or DNxHD (Avid’s native format) audio-48 KHz - 24-bit

2. AVI movie with same format as Quicktime.

3. Photo-JPEG or Motion-JPEG 75% quality.

4. Quicktime H.264, also known as MPEG-4 AVC.

5. D-Beta, Beta SP, Beta IMX, Beta SX, DV Cam, mini-DV, HD, DVC-Pro (conversion fees apply).

4. DVD, VHS, or S-VHS (conversion fees apply)

5. 3/4" U-Matic videotape with timecode (conversion fees apply)

6. Other video files not converted to our standards may be able to be converted, however there will be conversion fees. Please ask first.
TieLine Information

Tieline Bridge-IT available. Please contact us for IP address.
Sending Audio To Us

In order of preference

1. Uncompressed file-AIFF, BWF, or WAV file. (native sample rate, or 48 KHz,44.1 KHz, 96KHz, or 88.2 KHz), (24-bit or 16-bit)

2. AAF, OMF, AES31, MXF, or OpenTL

3. Audio CD (Red Book standard)

4. Compressed file (low loss or lossless)-Apple lossless, Mpeg 2, Dolby AAC (Apple iTunes format), or Windows Media WMV. (48 KHz or 44.1 KHz), 24-bit or 16-bit)

4. Compressed file (lossy)-MP3, MP3-Pro, Windows Media WMV. (48 KHz or 44.1 KHz), (320kps STEREO or 160kps MONO)

5. Other files we can import include: Quicktime, SDII, Dolby Digital, BWF64, and Ogg Vorbis.

6. DAT tape (48 KHz or 44.1 KHz), open reel 1/4” quarter-, half-, or full-track. 15ips or 7.5ips, NAB, 320 nWb/M

Please check with us, because formats and capabilities are continually changing as technology and software progress.
 

Studio Gallery

GSN-354889-D